James Benjamin Blish (May 23, 1921 – July 30, 1975) was an American science fiction and fantasy writer. He is best known for his Cities in Flight novels, and his series of Star Trek novelizations written with his wife, J. A. Lawrence. He is credited with creating the term “gas giant” to refer to large planetary bodies.

Blish was a member of the Futurians.[citation needed] His first published stories appeared in Super Science Stories and Amazing Stories.

Blish wrote literary criticism of science fiction using the pen name William Atheling Jr. His other pen names included Donald Laverty, John MacDougal, and Arthur Lloyd Merlyn.

Blish was born on May 23, 1921 at East Orange, New Jersey.[2] While in high school, Blish self-published a fanzine using a hectograph, called The Planeteer.[citation needed] The fanzine ran for six issues. Blish attended meetings of the Futurian Science Fiction Society in New York City during this period.

Futurian members Damon Knight and Cyril M. Kornbluth became close friends. However, Blish’s relationships with other members were often bitter.[3] A personal target was fellow member Judith Merril, with whom he would debate politics. Merril would frequently dismiss Blish’s self-description of being a “paper fascist”. She wrote in Better to Have Loved (2002), “Of course [Blish] was not fascist, antisemitic, or any of those terrible things, but every time he used the phrase, I saw red.”[4]

James Blish’s grave marker.

Blish studied microbiology at Rutgers University, graduating in 1942. He was drafted into Army service, and he served briefly as a medical laboratory technician. The United States Army discharged him for refusing orders to clean a grease trap in 1944. Following discharge, Blish entered Columbia University as a masters student of zoology. He did not complete the program, opting to write fiction full-time.[3]

In 1947, he married Virginia Kidd, a fellow Futurian.[1] They divorced in 1963. Blish then married artist J. A. Lawrence in 1964,[1] moving to England that same year.

From 1962 to 1968, Blish worked for the Tobacco Institute, as a writer and critic. Much of his work for the institute went uncredited.

Blish died on July 30, 1975 from complications related to lung cancer. He was buried in Holywell Cemetery, Oxford. The Bodleian Library at Oxford is the custodian of Blish’s papers.[5] The library also has a complete catalog of Blish’s published works.

Career

Throughout the 1940s, Blish published most of his stories in the few pulp magazines still in circulation. His first story was sold to fellow Futurian Frederik Pohl for Super Science Stories (1940), called “Emergency Refueling”. Other stories were published intermittently, but with little circulation. Blish’s “Chaos, Co-Ordinated”, co-written with Robert A. W. Lowndes, was sold to Astounding Science Fiction, appearing in the October 1946 issue, earning Blish national circulation for the first time.

Pantropy (1942–1956)

Blish was what Andrew Litpack called a “practical writer”.[3] He would revisit, revise, and often expand on previously written stories. An example is “Sunken Universe” published in Super Science Stories in 1942. The story reappeared in Galaxy Science Fiction as “Surface Tension”, in an altered form in 1952. The premise emphasised Blish’s understanding of microbiology, and featured microscopic humans engineered to live on a hostile planet’s shallow pools of water. The story proved to be among Blish’s more popular, and was anthologized in The Science Fiction Hall of Fame, Volume One, 1929–1964, edited by Robert Silverberg.[6]

The world of microscopic humans continued in “The Thing in the Attic” in 1954, and “Watershed” the following year. The fourth entry, “A Time to Survive”, was published by The Magazine of Fantasy & Science Fiction in 1957. The stories were collected, edited together, and published as the fix-up The Seedling Stars (1956), by Gnome Press. John Clute said of all of Blish’s “deeply felt work” explored “confronting the Faustian (or Frankensteinian) man”.[3]

Cities in Flight (1950–1958)

Main article: Cities in Flight

The Encyclopedia of Science Fiction asserts that it was not until the 1950s, and the Okie sequence of stories beginning their run, “did it become clear [Blish] would become a [science fiction] writer of unusual depth”.[7] The stories were loosely based on the Okie migration following the Dust Bowl of the 1930s, and were influenced by Oswald Spengler‘s two-part Der Untergang des Abendlandes (The Decline of the West).

The stories detail the life of the Okies, humans who migrate throughout space looking for work in vast city-ships, powered by spindizzies, a type of anti-gravity engine. The premise and plot reflected Blish’s feelings on the state of western civilization, and his personal politics.[3] The first two stories, “Okie”, and “Bindlestiff”, were published in 1950, by Astounding. “Sargasso of Lost Cities” appeared in Two Complete Science-Adventure Books in April 1953. “Earthman, Come Home” followed a few months later, published by Astounding. In 1955, Blish collected the four stories together into an omnibus titled Earthman, Come Home, published by Putnam.

More stories followed: In 1956, They Shall Have Stars, which edited together “Bridge” and “At Death’s End”, and in 1958, Blish published The Triumph of Time. Four years later, he published a new Okies novel, A Life for the Stars. The Okies sequence was edited together and published as Cities In Flight (1970).

Clute notes, “the brilliance of Cities in Flight does not lie in the assemblage of its parts, but in the momentum of the ideas embodied in it (albeit sometimes obscurely).”[3]

The novella Sargasso of Lost Cities, Blish’s third Cities in Flight story, was published in Two Complete Science-Adventure Books in 1953.

After Such Knowledge (1958–1971)

Blish continued to rework older stories, and did so for one of his best known works, A Case of Conscience (1958). The novel originated as a novella, originally published in an issue of If, in 1953. The story follows a Jesuit priest, Ramon Ruiz-Sanchez, who visits the planet Lithia as a technical member of an expedition. While on the planet they discover a race of bipedal reptilians that have perfected morality in what Ruiz-Sanchez says is “the absence of God”, and theological complications ensue. The book is one of the first major works in the genre to explore religion and its implications. It was the first of a series including Doctor Mirabilis (1964) and the two-part story Black Easter (1968), and The Day After Judgment (1971). The latter two were collected as The Devil’s Day (1980). An omnibus of all four entries in the series was published by Legend in 1991, titled After Such Knowledge.

A Case of Conscience won the 1959 Hugo Award for Best Novel, and was collected as part of Library of America’s omnibus American Science Fiction: Five Classic Novels 1956-1958.[8][9]

Star Trek (1967–1977)

Main article: Star Trek (Bantam Books)

Blish was commissioned by Bantam Books to adapt episodes of Star Trek. The adapted short stories were generally based on draft scripts, and contained differing plot elements, and situations present in the aired television episodes.

The stories were collected into twelve volumes, and published as a title series of the same name from 1967 to 1977. The adaptations were largely written by Blish; however, his declining health during this period proved problematic. His wife, J. A. Lawrence, wrote a number of installments; however, her work remained uncredited until the final volume, Star Trek 12 published in 1977, two years after Blish’s death.[10]:25

The original novel based on the television series, Spock Must Die! (1970), was also written by Blish, and he planned to release more. According to Lawrence, two episodes featuring popular character Harry Mudd, “I, Mudd” and “Mudd’s Women“, were held back by Blish for adaptation to be included in the follow-up to Spock Must Die!.[11] However, Blish died before a novel could be completed. Lawrence did eventually adapt the two episodes, as Mudd’s Angels (1978), which included an original novella Business, as Usual, During Altercations by Lawrence.

Blish credited his financial stability later in life to the Star Trek commission, and the advance he received for Spock Must Die!.[10]:21

Literary criticism and legacy

Blish was among the first literary critics of science fiction, and he judged works in the genre by the standards applied to “serious” literature.[12] He took to task his fellow authors for deficiencies, such as bad grammar and a misunderstanding of scientific concepts, and the magazine editors, who accepted and published such material without editorial intervention. His critiques were published in “fanzines” in the 1950s under the pseudonym William Atheling Jr.

The essays were collected in The Issue at Hand (1964) and More Issues at Hand (1970). Reviewing The Issue at Hand, Algis Budrys said that Atheling had, along with Damon Knight, “transformed the reviewer’s trade in this field”. He described the persona of Atheling as “acidulous, assertive, categorical, conscientious and occasionally idiosyncratic”.[12]

Blish was a fan of the works of James Branch Cabell, and for a time edited Kalki, the journal of the Cabell Society.

In his works of science fiction, Blish developed many ideas and terms which have influenced other writers and on occasion have been adopted more widely, such as faster than light communication via the dirac communicator, introduced in the short story “Beep” (1954). The dirac is comparable to Ursula K. Le Guin‘s ansible.

Blish is also credited with coining the term gas giant, first used in the story “Solar Plexus”, collected in the anthology Beyond Human Ken, edited by Judith Merril. The story was originally published in 1941, but did not contain the term. Blish reworked the story, changing the description of a large magnetic field to “a magnetic field of some strength nearby, one that didn’t belong to the invisible gas giant revolving half a million miles away”.[1

Books in order of publication:

Short fiction and novellas (1935–1986)

Novels published in complete form, or serialized, in fiction magazines are included for completeness, and to avoid confusion.

β Novelette, ε Novella, γ Novel.

The Planeteer (1935–36)

  • “Neptunian Refuge” (November 1935)
  • “Mad Vision” (December 1935)
  • “Pursuit into Nowhere” (January 1936)
  • “Threat from Copernicus” (February 1936)
  • “Trail of the Comet” (March 1936)
  • “Bat-Shadow Shroud” (April 1936)

Super Science Stories (1940)

  • “Emergency Refueling” (March 1940)
  • “Bequest of the Angel” (May 1940)
  • “Sunken Universe” (May 1942),
      rewritten as “Surface Tension” (1952)

Stirring Science Stories (1941)

  • “Citadel of Thought” (February 1941)
  • “Callistan Cabal” (April 1941)

Science Fiction Quarterly (1941)

  • “Weapon Out of Time” (April 1941)
  • “When Anteros Came” (December 1941)

Cosmic Stories (1941)

  • “Phoenix Planet”β (May 1941)
  • “The Real Thrill” (July 1941)

Future (1941–1953)

  • “The Topaz Gate”β (August 1941)
  • “The Solar Comedy” (June 1942)
  • “The Air Whale” (August 1942)
  • “Struggle in the Womb” (May 1950)
  • “The Secret People”β (November 1950)
  • “Elixir” (September 1951)
  • “Testament of Andros”β (January 1953)

Astonishing Stories (1941)

  • “Solar Plexus” (September 1941)

Super Science and Fantastic Stories (1944)

  • “The Bounding Crown”β (December 1944)

Science*Fiction (1946)

  • “Knell”, as by Arthur Lloyd Merlyn (January 1946)

Astounding Science Fiction (1946–1957)

  • “Chaos, Co-Ordinated”β as by John MacDougal, with Robert A. W. Lowndes (October 1946)
  • “Tiger Ride” with Damon Knight (October 1948)
  • “Okie”β (April 1950)
  • “Bindlestiff”β (December 1950)
  • “Bridge”β (February 1952)
  • “Earthman, Come Home”β (November 1953)
  • “At Death’s End”β (May 1954)
  • “One-Shot” (August 1955)
  • “Tomb Tapper”β (July 1956)
  • Get Out of My Skyε (January 1957),  included in Get out of My Sky Panther ed. (1980)

Startling Stories (1948)

  • “Mistake Inside” (April 1948)

Planet Stories (1948–1951)

  • “Against the Stone Beasts”β (August 1948)
  • “Blackout in Cygni” (July 1951)

Thrilling Wonder Stories (1948–1950)

  • “No Winter, No Summer” as by Donald Laverty, with Damon Knight (October 1948)
  • “The Weakness of RVOG”β (February 1949),
      expanded as VOR (1958)
  • “The Box” (April 1949)
  • “The Homesteader” (June 1949)
  • Let the Finder Bewareε (December 1949)
  • “There Shall Be No Darkness”β (April 1950),  included in Get Out of My Sky Panther ed. (1980)

Jungle Stories (1948)

  • “Serpent’s Fetish” (December 1948)

Fantastic Story Quarterly (1950)

  • “The Bore” (July 1950)

Imagination (1951)

  • “The Void Is My Coffin” (June 1951)

Two Complete Science-Adventure Books (1951)

  • The Warriors of Dayγ (August 1951)
  • Sargasso of Lost Citiesε (April 1953)

Other Worlds Science Stores (1952)

Galaxy Science Fiction (1952–1970)

  • “Surface Tension”β (August 1952),
      collected in The Seedling Stars (1957)
  • “Beep”β (February 1954),
      expanded as The Quincunx of Time (1973)
  • “The Writing of the Rat” (July 1956)
  • “The Genius Heap” (August 1956)
  • “On the Wall of the Lodge”β with Virginia Kidd (June 1962)
  • “The Shipwrecked Hotel”β with Norman L. Knight, (August 1965),
      expanded as A Torrent of Faces (1967)
  • The Piper of Dis”β with Norman L. Knight, (August 1966),expanded as A Torrent of Faces (1967)
  • “Our Binary Brothers” (February 1969)
  • “The City That Was the World”β (July 1969)
  • “A Style in Treason”β (May 1970)
  • The Day After Judgmentγ (September 1970),
  •   collected in The Devil’s Day (1990)
  • “Darkside Crossing”β (December 1970)
  • “The Glitch” (June 1974)
  • “The Art of the Sneeze” (November 1982)

Dynamic Science Fiction (1953)

  • “Turn of a Century” (March 1953)
  • The Duplicated Manγ with Robert A. W. Lowndes (August 1953)

Worlds of If (1953–1968)

  • A Case of Conscienceε (September 1953),
      expanded as A Case of Conscience (1958)
  • “The Thing in the Attic”β (July 1954),
      collected in The Seedling Stars (1957)
  • “Watershed” (May 1955),
      collected in The Seedling Stars (1957)
  • “To Pay the Piper” (February 1956)
  • Welcome to Marsγ (July 1966)
  • Black Easterγ (August 1967),  collected in The Devil’s Day
  • (1990) “Now That Man Is Gone” (November 1968)

Novels (1952–1990)

  • Jack of Eagles (1952). Greenberg.,
      also published as ESPer (1952). Avon.
  • The Frozen Year (March 19, 1957). Ballantine Books #197,
      also published as Fallen Star (1957). Faber & Faber.
  • VOR (April 1958). Avon #T-238.
  • The Duplicated Man (1959). Avalon Books.
  • A Torrent of Faces (1967), with Norman L. Knight. Doubleday.
  • The Warriors of Day (1967). Lancer Books #73-580.
  • The Star Dwellers (1961). G. P. Putnam’s Sons.
  • Titan’s Daughter (March 1961). Berkley Medallion #G507.
  • The Night Shapes (October 1962). Ballantine Books #F647.
  • Mission to the Heart Stars (November 11, 1965). Faber & Faber.
  • Welcome to Mars (July 1966). G. P. Putnam’s Sons.
  • The Vanished Jet (1968). Weybright and Talley.
  • … And All the Stars a Stage (July 1971). Doubleday.
  • Midsummer Century (May 1972). Doubleday,
      included in Midsummer Century Daw ed. (1974).
  • The Quincunx of Time (October 1973). Dell #07244.

Cities in Flight series (1955–1962)

  • Earthman, Come Home (1955). G. P. Putnam’s Sons.
  • They Shall Have Stars (1956). Faber & Faber,
      also published as Year 2018! (1957). Avon Books.
  • The Triumph of Time (October 1958). Avon #T-279,
      also published as A Clash of Cymbals (1959). Faber & Faber.
  • A Life for the Stars (1962). G. P. Putnam’s Sons.

After Such Knowledge series (1958–1990)

  • A Case of Conscience (April 1958). Ballantine Books #256.
  • Doctor Mirabilis (1964). Faber & Faber #55198.
  • The Devil’s Day (February 1990). Baen.

Collections (1957–2009)

  • The Seedling Stars (1957). Gnome Press.
  • The Seedling Stars (February 1959). Signet #S1622.
  • Best Science Fiction Stories of James Blish (1965). Faber & Faber.
  • Midsummer Century (February 1974). Daw #UQ1094.
  • The Best of James Blish (August 1979). Ballantine/Del Ray
      also published as The Testament of Andros (August 1977). Arrow Books.
  • Get Out of My Sky (April 1980). Panther.
  • A Work of Art and Other Stories (July 1993). Severn House.
  • With All Love: Selected Poems (March 1995). Anamnesis Press.
  • A Dusk of Idols and Other Stories (May 1996). Severn House.
  • In This World, or Another (July 2, 2003). Five Star
  • Works of Art (January 30, 2008). NESFA Press
  • Flights of Eagles (October 20, 2009). NESFA Press
  • Anthologies (1959–1970)
  • Galactic Cluster (October 1959). Signet #S1719.
  • So Close to Home (February 27, 1961). Ballantine Books #465K.
  • New Dreams This Morning (October 1966). Ballantine Books #U233.
  • Anywhen (1970). Doubleday.
  • Nebula Award Stories 5 (1970). Gollancz.

Nonfiction (1964–1987)

  • The Issue at Hand (1964), as by William Atheling Jr. Advent Publishers.
  • More Issues at Hand (December 1970), as by William Atheling Jr. Advent Publishers.
  • The Tale That Wags the God (July 1987). Advent Publishers.

Star Trek (1967–1977)

  • Star Trek (January 1967). Bantam Books #F3459.
  • Star Trek 2 (February 1968). Bantam Books #F3439.
  • Star Trek 3 (April 1969). Bantam Books #F4371.
  • Spock Must Die! (February 1970). Bantam Books #H5515.
  • Star Trek 4 (July 1971). Bantam Books #S7009.
  • Star Trek 5 (February 1972). Bantam Books #S7300.
  • Star Trek 6 (April 1972). Bantam Books #S7364.
  • Star Trek 7 (July 1972). Bantam Books #S7480.
  • Star Trek 8 (November 1972). Bantam Books #SP7550.
  • Star Trek 9 (August 1973). Bantam Books #SP7808.
  • Star Trek 10 (February 1974). Bantam Books #SP8401.
  • Star Trek 11 (April 1975). Bantam Books #Q8717,
      also published as The Day of the Dove (October 1985). Spectra.
  • Star Trek 12 (November 1977), with J. A. Lawrence. Bantam Books.

Omnibuses (1970–2013)

 Cities in Flight (February 1970). Avon #W187.

 After Such Knowledge (July 1991). Legend

The Seedling Stars / Galactic Cluster (April 1983). Signet.

Black Easter / The Day After Judgement / The Seedling Stars (September 26, 2013)